#014 - Today is a good day to (roll a twenty-sided) die

I realize that Worf being who he is in Next Generation — a Klingon warrior by blood but naturalized significantly into human cultural and military structure via his adoptive parents and his Starfleet career — is part of what makes him an interesting character, but do you ever get the feeling that maybe he got dicked over a little bit by being stuck serving on the Enterprise?
Because he seems so hemmed in. I like a good “struggle with the conflicts generated by setting your cultural and emotional instincts against a differing but valued-by-you context” episode as much as anybody and Worf working to reconcile his Klingonness and his Starfleetery isn’t bad fodder for that sort of thing, but man the guy seems like he could really tear some shit up if he was a little more free to move or, maybe more to the point, on a different crew whose own aggregate character arcs and puny human builds didn’t require him to be constantly put in check just to make sure it doesn’t turn into The Worf Is Awesome, Let Worf Handle It science fiction badass hour.
I mean, seriously: he is constantly denied. It’s like the DM of whatever game TNG itself is being played in either hates the guy playing him or nerfed the character to keep the party equitable.
I like Worf a lot. He makes a good comedy foil, he’s entertainingly uncomfortable with emotional development, and behind the gruff exterior he’s got more emotional fragility and depth of feeling on the table than even Wesley most of the time. But man does he feel like he got stuck on the wrong show somehow and never found the exit home. Like some tragic Quantum Leap shit but without the leaping and Count Bakula is on the wrong ship in the wrong century and ZIGGY IS NEVER GOING TO ANSWER, WORF. ZIGGY ABANDONED YOU.
I think I lost my train of thought there. Anyway, it was also Michael Dorn’s birthday yesterday. Cupgaghs for everybody!
tk
There was this heated exchange in the comments on this one:
them: UM CANONICALLY WORF DID NOT TRY THE OLD WEST PROGRAM UNTIL SEASON SIX WHEN THIS TAKES PLACE PRIOR TO THAT POINT. THIS MAKES YOUR WHOLE COMIC INCORRECT AND THEREFORE NOT FUNNY.
me: THAT WE KNOW OF BUT THEN KEIKO DIDN’T APPEAR TILL SEASON FOUR SO NOTHING IS FORBIDDEN, EVERYTHING IS PERMITTED, HAIL ERIS
...and it gets to the heart of how strained the premise and continuity of the comic becomes if you try and treat it seriously. But I did care a bit! I made a number of conscious decisions at different points later in the comic to either justify a seeming anachronism or avoid one by making this TNG/DS9 narrative diverge slightly from canon. I'm pretty sure I end up unpacking some details there in a few of the original strip descriptions later on, but in general it's both true that (a) worrying about making any of this internally consistent was probably unnecessary and a fool's errand besides, and (b) I kind tried to a lot of the time anyway, and got sort of stressed out by that effort.